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The Finite Adventures of Rodo Mangoseed In Lord of
the Earrings. An original screenplay by Ross
Anthony(C)2002. 25 minute read.
www.rossanthony.com/essays/lote.shtml
EXT. LAKE -- DAY
A long time ago, in this galaxy, a real bad guy
named Sorass forged a couple of pearl earrings.
They were simply gorgeous, 14karat gold each with a
cultured freshwater pearl mounted on a
hand-polished frame accented by two white onyx
inlays. Well, needless to say the earrings made
Sorass the undisputed heavyweight champion of his
kingdom, and the surrounding kingdoms all the way
to Mayberrykingdom. No one could challenge his
power. But one day, Sorass left his earrings on the
sink vanity in the bathroom of a former girlfriend.
Sorass pounded his head, but still couldn't recall
where he'd left them. Anyway, Sharongo promptly
flushed them in a momentary flash of jealousy with
her next bowel movement. It was not a pretty site,
but I should tell you that the corn made the
earrings less obvious. The kingdom's sewer system
emptied into the great Lake Oraga which is present
day Lake Ontario. Several hundred bazillions of
years later, a small human by the name of Bob found
the earrings, but they didn't match his complexion
so he cast them back into the lake. Another
bazillion years later, a small boy by the name of
Rodo Mangoseed happed across one of them while
digging at the shallow shore of Lake Ontario ...
trying to find the source of those tiny bubbles.
The ones that rise to the surface one bubble at a
time, ten or twenty seconds apart.
What could they be? Is there air trapped under
there? Perhaps from changes in tide? Or maybe
frogs. Maybe frogs took a deep breath, then dug
themselves underground there. Maybe a chemical
reaction? Maybe methane or some kind of gas in the
earth making its way to the surface?
Rodo straps on some goggles and a snorkel. He
picks up a nearby torn milk carton and uses it as a
shovel.
Maybe there's a hole there that leads
underground to a place above the water line? Maybe?
Maybe? -- Hey what's this?
Rodo pulls an earring up from the earth. Just
then, Insanity Ted (Rodo's best bud) steps up
holding an archer's bow in one hand and two arrows
in the other.
Yo Rodo-- check this out!
Rodo steps out of the water.
Where'd you get those?
Hey, hold that thought you two.
What? Who said that?
Look I did my job, I got everyone up to speed,
you guys take it from here. I've got a dental
appointment.
Whatever man -- we don't need a narrator. That
is so lame. I think we can handle our own
story.
Insanity Ted -- who you talkin' to?
Oh forget it -- Whatchya got there?
An earring, I think.
An Earring? Forget that too. I got a bow and a
couple of arrows -- I traded Arizona for 'em.
The state of Arizona?
Yeah, right -- like I even know where it is?
Out west someplace.
Whatever Rodster -- let's go shootin'.
Insanity Ted and Rodo step into the woods.
You are truly insane.
Hmm, What should we use as targets?
It don't matter,
I got a soda can -- which is pretty small.
Don't matter.
Hey maybe that red jacket a yers?
Don't matter what we use -- we won't hit it
anyways.
Is it that hard?
Haven't you tried yet?
Rodo bud, it hurts me that you even ask that. If
you came runnin' with a brick and a half of
firecrackers I wouldn't want you to have blown off
even one before I got there.
I'm sorry Tedster, that's way cool of you.
Thanks, and yes, I'm assumin' it's hard.
That elf guy never missed.
That was a movie, this is real.
Yeah right, Rodo Mangoseed lecturing me on
what's real. Let me derail that train of thought
before you EVEN get started -- take the darn
bow.
Insanity Ted hands Rodo the bow. Then straps on
the back quiver (arrow holster).
So come on, you didn't actually trade the state
of Arizona.
No, you dork. Arizona, that was the name
of--
Oh yeah -- your snake.
Boa Constrictor, my dear Rodman.
Insanity Ted's happy to be able to have educated
Rodo on some miscellaneous trivia. He then turns to
the quiver and points at all two arrows.
Okay, I'm that elf guy, 'cause his two arrows
lasted him all film.
Yeah but, this ain't Middle Earth.
Give me a break, I thought you were the one with
the big imagination.
Insanity Ted bends over and points at his own rear
end.
Anyway, take a look at my middle moon.
Quick! Quick! Give me an arrow, that's a target
I actually might be able to nail.
Insanity Ted stands up straight, pulls an arrow
from the back quiver and hands it to Rodo.
Insanity Ted scans the woods for something
obvious.
There -- on the Oak tree 10 yards down, hit that
squirrel.
I don't want to hit an animal.
Don't worry, it's your first shot, you'll suck.
The squirrel is safer than if you didn't aim at
it.
Rodo knocks the arrow on the string, he pulls
back, the bow shaking as if in fear.
(struggling) This is hard to pull.
You're doin' great - I think.
The squirrel looks up, it's eyes meet Rodo's
eyes.
I'm not going to hit you buddy.
Rodo lets go, the arrow travels five feet before
hitting a tree off to the right, it breaks in half
and falls to the ground. Rodo screeches, drops the
bow and grabs his left forearm.
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OOOOOOuuuuuch!
What? What?
The string hit my arm - ouch! It kills!
Crazed, you did great, but don't drop my bow
next time.
I didn't get the squirrel, did I?
Insanity Ted picks up the bow and knocks another
arrow, he too struggles with the pull of the string,
but this time he aims up at another target.
Yeah right. (aims up) Okay, my turn, I'm aiming
for that lady bug on the third branch to the
left.
You're an idiot.
Insanity Ted lets loose the arrow (not coming
anywhere near the lady bug) sails up and off into the
distance.
Got it!
This ain't middle Earth and you ain't the elf
guy.
Yeah I know, 'cause I'm out of arrows.
Rodo picks up the broken arrow from his shot.
Insanity Ted puts the bow down. And heads into the
forest in search of his last shot.
(in his best Terminator voice) I'll be back.
Rodo fiddles with the arrow for a time, then
getting bored he sighs and sits back on a stump,
bumping into an older man with a goatee and portly
belly.
Hey, you're from that TV show, the Sopranos.
I am not.
Yes, you are. And that movie with Julia Richards
too -- you were gay.
I believe you have me confused with some
dashing, extraordinarily talented actor. Nope. Me,
I'm a wizard.
Anyway, Wizard's aren't real.
Geeze, ain't you the tactful one.
Wizards are from story books and movies.
And just where do you think you're from?
What?
Look, enough small talk.
Gandolfini reaches into his pocket and pulls out a
jewelry case.
I've got an important mission for you.
A small positive contribution to the
universe?
Yeah, something like that.
Gandolfini opens the case revealing the matching
earring.
That movie, now the earrings --
You're being juvenile. Now listen, this is
important. A long long time ago in a galaxy (stops
himself and starts over). Wait, I mean, Back in
olden times, a very bad evil character forged these
earrings so that he could rule over all the
land.
Was he all powerful?
Who?
The very evil guy.
What do you mean?
I mean, was he able to give the earrings power
enough so that whoever wore them could conquer all
the land.
Yeah, yeah now you're catching on.
But why would an all powerful being have to
forge anything? If he had the power to make
earrings so powerful, why didn't he just use that
power to conquer everything and skip the whole
jewelry bit.
What the earrings?
Yeah, why forge something -- why not just use
his power to be powerful -- why do you need a
thing? Seems to me he should have forged a sword or
something with that gold.
(confused, hurt even, that Rodo is not awed by
his story)
Well, you've got to have the earrings --
couldn't have the story without them.
Why would an all powerful being care about a
story? Wouldn't he be satisfied with conquering the
world.
Gandolfini turns dramatically. The clouds darken,
his eyes light with fire.
To heck with Sorass, I need there to be a
story!
Okay Okay.
What would wizards say if there wasn't a good
story?
I suppose they simply couldn't exist.
Irked, Gandolfini looks hard at Rodo.
I could turn you into a toad, you know.
Sorry, Sorry.
You're just a human -- don't you try to out
think a character in your story -- A wizard no less
-- because young lad, you are nothing more than a
character too -- a thought in your screenwriter's
mind.
Wait, wait, what are you talking about?
Oh, sure, Mr. High and mighty, Mr. Look at me
I'm Real. Mr. Logic is more important than story.
Oh, the irony.
Irony?
Irony, you know, shocking reality of it all
relative to circumstances.
I know what ironic is-- what's ironic?
Oh, you silly little bit of fiction. Did you
think just being you was enough? Who in their right
mind would traipse to the cinema, hand over 9
bucks, just to watch a character. The Irony, Rodo,
is that just like wizards and demons -- you need a
story as well. You are a slave to story.
Are you saying that I can't exist without a
story?
Sad to say, alas, I am bound by the same
chain.
So if I just stand here, don't say a word, think
just for myself without getting all caught up in
some larger plot--
Then you would cease to be.
So, wherever I am -- story is all around me?
Just like the oxygen you breath. You can't see
it, but if it weren't there -- you'd grasp, reach
out for nothing, then -- end
Gandolfini mocks, gasps for air, falls off the log
he's sitting on backwards and lies motionless for a
beat. Then opens an eye to see if he's amusing
Rodo.
Wow, that's kind of --
Humiliating for you?
Yes -- that's exactly the word.
Oh, don't be such a proud little brat. Story's
not a bad thing.
I agree, I like story just fine, but I don't
like needing it for my own survival.
Come on, stop being so melodramatic, it's not a
burden you know. You're lucky. Real people, they
live completely without story -- you think they're
happy? Truth is, though they have the freedom you
crave -- you have the story they envy.
Beat.
Oh, there's some more of that irony.
Sarcasm from a twelve year old -- (mocking)
wonders never cease.
You mean, we, I, exist for their amusement.
Rodo looks out into the audience, Gandolfini pulls
him back toward him.
Don't think of it that way. You are lucky! Some
writer has spent a lot of time and energy to create
a perfectly splendid story for you -- why don't you
just relax and enjoy it. Those real people, they
can only watch -- but you are in the story! You are
part of it, and by the way, the story can't live
without you either.
Gandolfini, I don't know. The whole idea makes
me feel so bound -- what about Free Will and all of
that.
Free Will?!! (chuckles heartily) That's a story
for another time, young man. (deep sigh, smile) You
and I, Rodo, we are lucky, truly lucky, carefully
tailored around our entire lives, architected to
our every whim and wonder -- a glorious story,
larger and more fun than any amusement park you can
imagine, because stories don't have to end. And
even if they do, there's always dvd.
Alright, alright, so -- the earrings, what makes
them so special?
Oh, I am so glad you asked, (readies himself for
an enjoyable yarn). Sorass was a hideous being,
feared by almost every living creature, but he was
a man.
Yeah so?
How old are you?
Twelve.
And you haven't noticed?
What?
Women? Girls?
We're not going to have that discussion now are
we?
No not that one. (shakes his head in annoyance
at Rodo's silliness) Women -- they rule the
world.
What? Not where I come from. All the world
leaders and presidents are men and most of the
CEO's too. And my mom says women get paid less for
the same job. That bugs her.
Presidents -- Shemsidents. Oh, Rodo, it's not
your fault, you're just a typical mortal man.
Not my fault?
You've fallen for it hook, line and sinker.
I have?
Women rule the world. They LET men be presidents
and CEO's and even make more money -- because they
know that all of that is superficial vanity.
What?
Oh, youíll understand more after puberty.
The point is, anyone who puts these earrings on
will immediately become a woman. And since all
warriors are men, well, even the fiercest among
them will become completely defenseless, and
surrender on the spot.
Rodo's eyebrows raise.
So look, take this earring, keep it with the one
you've found.
How'd you know about that?
I told you, I'm a wizard. Now look, it's
absolutely crucial that we (you) bring them to the
one place in all the world that can safely destory
them.
Destory?
Destroy, destory, same thing.
Where's that.
Jersey.
Jersey?
Certainly, there's a guy I know, he melts down
hot metals there.
Hot as in -- stolen?
You didn't hear me say that.
You are from the Soprano's!
Stop. (raises his index finger, then stands and
puts the earrings case in Rodo's hands) Let's
go.
Stop - Go. You, wizard guy, are ironic.
Gandolfini. Or if you're so inspired, feel free
to call me the Great Gandolfini.
Gandolfini head nods indicating that it's time to
move.
What about Insanity Ted? He's still looking for
that arrow.
Where is your faith in good writing? You think
your screenwriter is some hack? Don't worry, he'll
show up near the end to help save the day.
Rodo and Gandolfini walk through the forests to
glorious cities shimmering with litter,
gas-combustion engine vehicles and construction
noise. Despite these formidable obstacles, the two
trudge onward toward New Jersey.
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Don't you have a car or a broomstick or
something?
Mortals, you're so daft. Don't you know public
transportation is so much more environmentally
friendly?
We're going to take a bus to save the world?
Look out!
Gandolfini grabs Rodo and hides him in a nearby
Starbuckles Cafe.
What? What?
(points) The horsemen.
How did they know we were here?
They can sense the presence of the earrings.
If they can "sense the presence," kindly tell me
how our "hiding" behind something will trick
them?
Oh, come on, just play along.
Gallager, I--
(perturbed) Gandolfini!
Yeah, Gandolfini, if they can suss us out among
all the cities near NY, how in the world is this
Starbuckles dry-wall going to slow them down?
Don't worry.
Why shouldn't I worry? They're huge. They're on
horses. They've got knives bigger than me. What am
I supposed to do? Toss these earrings at them.
Don't worry about the horsemen, they're just
special effects, they can't hurt anyone.
The horsemen burst into the Starbuckles and
breathe intimidatingly down at the two. (The smell of
Shnapple is on their breath) Gandolfini flicks his
fingers off his chin at them.
Well, they look pretty darned real to me.
I'm putting, putting these earrings on.
NO!!!!
But of course it's too late. Rodo already has one
on. The horsemen immediately stumble a hoof or two
backward in surprise, then hop off their horses,
gracefully bowing on a knee each.
God, you know, I really shouldn't, but I'm dying
for a Latte.
Instantly, the horsemen rush to the counter
digging in their pockets for some money, they pool
their coins for the clerk.
Tall? Large? Grande?
Isn't there a small?
The horsemen turn to ask Rodo's preference, but
it's too late, Rodo and Gandolfini were able to catch
a nearby bus.
CLICK HERE TO CONTINUE to the
SECOND HALF of:
LORD_OF_THE_EARRINGS
Screenplay (C)2002 Ross Anthony
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