"15 minutes" is a title way too small for its film
-- like a cork meant to damn the Nile. This is the
most intense production of the year. "Hannibal" scary?
Forget it -- comparatively speaking. Director John
Herzfeld brews up a fervent stew of hard as brass
conflict, gruesome homicides, tasteful sprinkles of
humor, rock solid dialogue, tight-as-gears direction,
solid performances, grinding sound track, and
whirling cinematography. Powerful, simply
powerful.
Unfortunately, a few implausibles
abate the punch - but not enough to stop this
rumbling steamroller of a film. Never a dull, boring
moment - ever.
Two Europeans thugs come to the States to collect
their money from a fellow thief and comrade. When
they learn he's spent it all, the mean thug kills the
friend with a kitchen knife while the
Hollywood-loving thug videotapes the murder. It's
gruesome and it's vile and it's angry. This film is
not for the weak of stomach. Realizing that the
friend's wife witnessed the crime, the mean one kills
her too. Again the somewhat comedic Capra-wannabee
tapes. Here lies the first implausibility. That mean
thug would smash that camera against the wall -- this
would be consistent with his rage and motivation to
destroy all evidence of his crime. A smashed camera
wouldn't have effected the play of the rest of the
story.
Those are the two bad boys; the good guys have a
duo of their own. Bobby De Niro laps up the press as
poster cop and "friend" of "Top Story" TV tabloid
host Kelsey Grammer. Edward Burns plays a crackerjack
Arson Investigator - a fireman with a gun. The give
and take between this cop and firefighter team
splendidly constructs the spine, heart and soul of
the film.
A second implausibility arises when the two
bad guys begin to argue over ownership of their
master plan. It's conceivable of course that this
would happen, but the manifestation and timing of the
event rides an altogether different grain from the
rest their interplay.
Both thugs are strong performers. "You think I
came to America to work?" When the mean thug delivers
that line ... you just know he's not very well
tempered. De Niro endears the viewer to his character
by first teasing, then assisting his unlikely
partner, "You remind me of a puppy I used to have."
His prep for a proposal moment further cements our
sympathies ... however the actual proposal scene
plays prominently cliche in this gritty original
film.
"15 Minutes" starts out like an independent
picture, but eventually explodes into an all out
Hollywood production that takes you up with it and
slams you down. Excellent dynamics and direction ...
this film will do very well at the box office.
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