"All Access" takes you backstage, on stage and
front row center for a varied collection of rock
artists - namely:
- Sting with Cheb Mami "Desert Rose"
(middle-eastern melody fused into rock)
- George Clinton with Mary J. Blige and
Parliament Funkadelic "Flashlight/One Nation Under
A Groove/Atomic Dog" (funk medley)
- Kid Rock "Bawitdaba" (rap/rock)
- Sheryl Crow "If It Makes You Happy" (solo
acoustic pop rock)
- B.B. King with The Roots, Phish and Trey
Anastasio, "Rock Me Baby" (blues)
- Macy Gray "I can't wait to Meetchu" (R&B
Soul)
- Santana with Rob Thomas "Smooth" (classic
rock/alt rock)
- Dave Matthews Band and Al Green "Take Me To The
River" (blues/rock)
- Moby "Porcelain" (moody rock)
A small back door opens, we follow the
broad-shouldered security guy through the tunnel-like
halls below the stage until he lets us out on stage
as the roadies set up, the filmmakers prepare their
eq, and the artists quip. Sting sings to an empty
stadium in the strong light of day. This is the way
to watch a musician! You can even see the worn paint
and varnish on the back of his bass' neck.
Next we join George Clinton filling another stage
with eighties costuming (captain's hat, rainbow wig,
silver cape) and muchos funk - a good time. Next a
cam backs Kid Rock, the edit durations shorten as the
cuts quicken. Sheryl, whose contribution is shot on a
sound stage, replaces Kid. Unfortunately, the
obviously pre-recorded music robs the scene of any
coziness or intimacy it definitely should have had. A
close on the six string is too close and the a/v sync
unacceptable. Her mood and that of the track clash
instead of sing. Additionally, intermittently
inserted (throughout the film) interview bites of
Crow are shot on a lower grade film stock that looks
soft focus. I did like the cut to her song on the
radio of the IMAX truck as a means of wiping out of
her sequence.
B.B. King, "These guys are half my age, but they
find notes, I don't find on my guitar!" He and Phish
rock! Speaking their minds with fingers on steel
strings. Fantastic sound mix, great separation and
panning. Later, their off-stage interviews are strung
together mimicking the musical dialogue they'd
enjoyed prior. Great touch, but ill-placed on top of
the music. B.B., in a brown pin strip suit, has such
an awesome smile, watch the music envelop his face.
This huge film format takes you there. You can even
read "Lucille" on his ax.
Macy Gray does that Motown thing, then Rob Thomas
and Santana rip up that huge IMAX screen into little
shreds. Shot well, aside from a momentary and
unnecessary split image digital effect that tastes
like catsup on filet mignon. Let music speak for
itself. Good sound separation.
Finally, after setting up in-between the other
acts, Dave Matthews and Al Green rock Chicago "Take
Me to The River." Green has a great voice, but he
slightly over does the scream and patronage to
Chicago. Additionally, the Dave Matthews band is
comprised of excellent musicians unable to showcase
their real talents on this safely played staple.
Toning down the pace for the ending, Moby sways
back and forth with his baldhead and street clothes
while the credits roll.
Overall, a good time. This is the way to see a
concert! No waiting in long lines, no rushing for the
best seats, nobody spilling beer on you. You can see
the expressions of the musicians as the music moves
them. Perhaps best of all, you can hear the music
exactly as intended, without echo, or lopsided
distribution. The IMAX sound system blasts!
Improvements and suggestions, of course: stay away
from close ups (especially on instruments), keep
longer cuts, interviews are nice, but we're here for
the music!
Already out, "Rolling Stones" and "'Nsync" in
Large Format. I look forward to a large selection of
pictures dedicated to a single group, so that we can
all go see our favorite artists in concert in the
theater. Choosing a letter grade for "All Access"
will be an even more subjective matter than usual. If
you don't enjoy any type of rock, I wouldn't
recommend this picture. But for those of us that are
fans of more than half of the artists named ... I'll
venture a "B+". On the other hand, if you're one of
the lucky few that just happens to love them all,
then definitely an "A" is in line.
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