Kudos to writer Harley Peyton. You'll love these
characters. First, there's good-looking: Willis
suaves the strong, impulsive, gentle, but violent
when wronged. Then there's itchy: Thornton always
thinking first, passive, rambling, hypochondriac,
compulsive neurotic to the nth power. The doer and
the thinker make a great pairing on which the film
progresses mightily from jail bust through a chain of
bank robberies.
Though heavy/intense at times, most of the film is
light-hearted fun. Into that mix, of course a woman
strays. Though the romantic triangle provides a
reprieve and complement to
the bandit theme, I'm not convinced it's entirely
necessary. As is, several of these interludes run
long and should have been edited to more petite
durations. Though interesting, the Kate (Cate)
character quickly becomes just too sweet of a
writer's muse upon which to play great dialogue off
of the two leads.
The film opens near the end, then retraces its
steps by means of a TV crime show host's interspersed
narration and interviews: "People fear you, they fear
your presence, the gun really is secondary."
This structure (show part of the ending first)
while fresh some years back (i.e. "Pulp Fiction")
starts to wear my patience now. But like "Pulp"
there's fair reason for this form in "Bandits."
Willis and Thornton deliver big in the acting
department, while Blanchett has her moments, she also
has her moments of overacting (and yes, I realize
that's part of her character's description). Lesser
known Troy Garity also holds his own with these big
names.
You'll absolutely adore an awkwardly warm dinner
sequence in which these two "bandits" play guests
(sort of) to a family at the supper table. This scene
is perfect.
Despite a less than fresh, less than plausible
climax; this and other flaws are simply and happily
overwhelmed by the great story and acting. In fact,
had the wrinkles been ironed out, we'd be talking
about one of the best films of the year. Well-oiled
dialogue and straight-faced delivery make these
bandits slick, crispy and comedic. A strong "A-".
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