Excellent Dialogue, editing and a superb
performance by writer/lead actor Mike White. But the
story is only decent, the telling is quite slow and
linear, subject matter potentially off-putting and
the quality of the image on the big screen - sorely
lacking.
Essentially this is the story of a grown up boy
who is still in love with his childhood playmate (by
now a grown up man). It's been years since they've
seen each other, but the passing of Chuck's mom
brings them together. Very nicely directed, the
funeral scene captures the delicate interplay of
contradictory emotions. Buck is more excited to see
his old pal than he is dismayed at his mother's
passing. Chuck, on the other hand, trying to act
appropriately for the occasion, isn't sure how to
react to Chuck's jubilant smile.
Throughout the film, Buck remains resiliently
pre-teen. He's bright-eyed, hopeful, playful, and
broodingly obsessive. His every word is that of an
11-year-old. His every eyebrow raise and smile curl
is that of a game loving pubescent. He's remarkable,
absolutely rock solid.
And if this film was just about one man's undying
grip on childhood memories and his attempts to once
again bring them into reality with his reluctant old
buddy - then I'd have been more interested, really.
But when that grip becomes a grope, it's all too
apparent that Buck's interests aren't entirely
innocent.
Most of the film is Buck stalking Chuck. There are
no independent side stories and we, as an audience,
spend most of our time across the street from Chuck's
house or workplace, pseudo-sympathizing with the
stunted maturity of Buck.
Then there's the technical: This movie is shot on
videotape then transferred to film. The casual viewer
will most likely notice that it's not as crisp or
clean or rich as film, or that it's often grainy
especially in low light. But I found the stair-step
edges and color bleeding plainly distracting. Tape is
much cheaper than film, however this production is so
professionally handled from story to acting, I'm left
wondering why they just didn't shoot it on film.
Some pictures actually work on videotape,
"The Celebration"
(a European flick) shot on tape makes sense since it
revolves around a family event, we'd expect it to be
captured on tape. In fact, video brings a
hyperrealism to it. But "Chuck and Buck" displayed no
artistic reason for the choice.
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