What is Cinerama? Good question. Lowell Thomas
thought it was a revolutionary new way to shoot
movies - the next logical step from B&W to color.
The camera is comprised of three 35mm motion picture
cameras mounted as one unit sharing one motor (to
keep them in sync). What the middle camera captures
is projected on the middle of the huge curved screen,
what the left camera captures is projected on the
right side of the screen, what the right cam captures
is projected on the left side of the screen. The
cameras employ three fixed lenses, surprisingly small
(not much larger than those on a cheap still camera)
and they're mounted in a concave semi-circle. The
point? To tantalize your peripheral vision, surround
you with visuals - as well as audio (likely the first
time surround sound was utilized) and virtually place
you into the production.
One of Hollywood's lesser known (but nonetheless
deserving) attractions - The Cinerama Dome was
Recently (2002) renovated and reopened by Pacific
Arclight who also took the opportunity to open a
multiplex next door. But still that huge curved
semi-engulfing screen remains. As I entered the
theater dome, I wondered where to sit. Though most of
the others sat ten rows back, I decided to sit in the
front row as the distance to the screen there reached
about 40 feet. It was to be a fine choice.
Surprisingly, despite its name, the Cinerama Dome
never had the 3-projector system to run films in true
Cinerama - until this screening. So, I must say, I
felt it somewhat of a privilege to be a member of the
first audience ever shown Cinerama in the Cinerama
Dome. Enough background, let's get to the review:
Some cheesy fifties movie music, the lights dim,
curtains spread and Lowell Thomas welcomes us to this
new technology. In order to provide contrast, his
intro runs in regular B&W 35, filling less than a
quarter of the screen. He stands in his office/set,
unbuttons the last button of his double breasted suit
and, in the classic stiffness of 50's TV, walks us
through the history of recorded motion referring to
framed paintings hanging on the wall of his office.
The nostalgia and contrast to modern times strikes a
welcome vibration in our funny bones and this
audience finds many a warm-hearted chuckle. "Eight
legs."
Lowell even shows off a few antique methods of
motion projection, "The Kiss" (Edison's first film)
and other early films -- adding more educational
value to the prologue. Ironically, films today are
often criticized for violence, yet in a film nearly
100 years old, I watched a guy bang another guy over
the head with a chunk of coal, then throw him from
the train.
Soon enough, it's time to show off the racehorse,
Lowell pauses and smiles, then utters, "This is
Cinerama."
On the down stroke of a powerful orchestra hit,
the curtains widen revealing 75% more screen and we
find ourselves looking down the tracks of a wooden
roller coaster drop (in color). The click, the roar,
the simulated feel of fall, all affect you
physically. You feel it in your stomach. Oh, that's
fun.
Cut to: a staged dance. Dancers portraying an
Egyptian style event fill the screen - if you like
opera, you may appreciate this simulated
experience.
Cut to: Niagara Falls from the air, a rainbow,
then back to Lowell now also in color and Cinerama
showing off the directional audio system.
Cut to: a church sequence, an organ player, and a
chorus. The film appears to be shot in sepia here,
either that, or the light is so low, that the color
couldn't find its way to film. While probably very
impressive in '52, this sequence overstays its
welcome.
Cut to: Venice, St. Mark's Square stirring with
circling pigeons, and then a gondola ride - this is
simply a fantastic way to "economically" simulate a
visit to a foreign country. (I've been to Venice -
and I was still impressed.) Relaxing long shots.
Cut to: Edinburgh, Scotland, expansive hillsides,
bagpipe marching band. Very nice.
Cut to: Vienna Boy's choir, cute at first, then
trying.
Cut to: Truncated bullfight in Spain, then a
village dance in Milan. The later hosting a crowd of
spectators, more interested in this three-faced
camera than the event in front of them. One
particular gentleman in the front row has his neck
turned with narrowed eyes directly at the camera half
the time - it's charming.
Cut to: a huge opera house, rich people filling
the skyboxes, then the opera itself.
Intermission. While the projectionists thread the
second set of three reels, you can get out of your
seat and take a look at the camera, which is
displayed in the hallway.
Once seated, the second half, comprised mainly of
Cypress gardens Florida rolls, a slow rowboat ride
through the beautifully eerie swamps accented by
damsels in bright dresses, then the big show. The
damsels and hunky grounds men rush to the shore,
hopping into speedboats and/or water-skis to impress
the paying guests and Cinerama-goers. It's actually
quite a lot of fun.
Cut to: aerial shots of 1950's NY, Chicago (which
I barely recognized), countryside, Mississippi river,
Gary Indiana. The plane lands in Kansas City, but
then again over the wheat field's while a choir sings
"America, the beautiful" for the soundtrack.
Rushmore, Rocky mountains, Yellowstone, Titans, Utah,
Copper mines, Salt Lake city, Oregon, Pacific Coast,
Golden Gate bridge, Arches National Monument, Hoover
dam, Lake Meade, Imperial Garden, Yosemite, Grand
Canyon, Zion. A sort of innocent tribute to America's
purity and natural beauty.
Overall, this 90 minute plus production is still
impressive even in lieu of today's standards. The
forerunner of the IMAX experience, 50
years later it's still fun and educational and, by
now, historic. Btw, "This is Cinerama" was the top
grossing film in of 1952, despite playing in less
than 30 theaters nationwide during its initial
release.
Some Facts from the Arclight (Pacific) press
notes:
Dome: Originally constructed in an incredible 16
weeks by the Forman family and Pacific Theatres in
1963 (as Cinerama evolved into 70mm), the Cinerama
Dome opened with the premiere of "It's a Mad, Mad,
Mad, Mad World." The Dome's geodesic ceiling includes
316 pentagons and hexagons making up the familiar
shape which rises above Sunset Boulevard (at Vine
Street in Hollywood) and is now the focal point of
the Dome Entertainment Center. Since renovation in
2002 and in keeping with the historic integrity of
the Dome, Pacific Theatres has maintained the classic
deeply curved screen. The screen is 33' high by 89'
wide, and will be masked horizontally and vertically
to accommodate various film formats. The Dome seats
more than 800 guests per showing, and has maintained
the historic loge seating which has been a favorite
of moviegoers over the years.
TICKETING: All seats at the Dome are reserved,
with guests offered the opportunity to purchase
tickets based on their preference of the front,
middle, or back of the auditorium. The custom
reserved seat system eliminates the need to arrive
hours in advance to get just the right seat for the
latest blockbuster, and allows time to enjoy lobby
exhibits about the Dome's history and to visit the
Arclight gift shop featuring Cinerama logo
merchandise and memorabilia. Tickets for all Cinerama
Dome showings are available on-line at www.arclightcinemas.com, over the
phone at 323-464-4226 and on-site at automated kiosks
and the original Sunset Boulevard box office.
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