Comedic talent abounds. Let's get right to the review of the film which I'm giving a B+. The production opens warmly on young buddies Albert and Anthony. The filmmakers recreate the early 80's period nostalgically and christen the voyage of the film so aptly that the actual modern-day story launches somewhat abruptly. The abrasive element: Carell's character has gone so vain, indulgent and pampered that he's simply too far removed from the child we were just introduced to. Audiences will easily forgive this (and a clunky romance), because the script and talent are successfully funny.

Editors keep the pace crisp, but again Burt's stubborn jerk persona persists just a little too long, leaving a slight drag. Nonetheless, with such robust and varied talent, you'll be kept happily engaged. The street magician role feels tailor made for Jim Carrey who revels in its over the top, ridiculousness. And while I secretly wanted Christopher Walken as the seasoned celeb magician (Marshall Brodien-inspired?) , Alan Arkin certainly gives the role a magical touch. His bed-ridden scene transitioning to the Carell/Buscemi buddy-buddy scene had me laughing so hard that tears were running down the sides of my face. Gandolfini, as always, nails his part (albeit nearly a cameo).

Despite its flaws, Wonderstone would have garnished an A grade if not for an ending that goes silly instead of heartfelt funny. The film sports a few warm scenes with depth, however the heart feels surgically removed from the third act. I did enjoy the ending, I laughed, it's just that, the "love" was so noticeably absent. Pity too, with such an opportunity to really inspire wonder and good will.

-- Books by Author/Illustrator Ross Anthony --