After an awkward opening sequence between a morose traveler and the bubbly hitchhiker he picked up, the film starts to come into its own. That solemn traveler finds himself cooped up with an unpredictable, yet endearing woman with autism.

It’s Rickman’s interactions with Weaver’s unexpectedly detached behavior and then her suddenly whimsical outbursts that center the film. Both are strong, and their scenes together compelling and endearing, but there’s still something missing.

The rest of the film nestles around this relationship as Rickman’s character begins his catharsis. It’s a gentle film with a warm heart despite its mostly sad circumstance and tone. Of course, it brings awareness to Autism, and it has its moments of beauty, but I couldn’t help wanting more from the film. I’m not sure where I wanted more, I just wanted more. And I didn’t all together believe some of the choices made by the characters.

Definitely a solid B film.

Notes: The crew had chosen to shoot this in Wawa, Canada which is known for cold temperatures and abundant snow. Interestingly enough, upon shooting, the town experienced 13 days of sunshine and a bit of a melt down. Ultimately, the director used this to his advantage, as Rickman says, “It’s got snow in the title, but it’s about the people who live in this place.”

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