On our way to the
screening, we stopped to help a motorist in distress,
so I ended up being tardy to this film. Therefore you
may wish to pro-rate its accuracy.
Charlize Theron finds herself a monthly project,
rich work-aholic Keanu is November.
Keanu frustrated and un-amused by the carefree,
spontaneous, potentially dangerous Theron reads,
"What do you want with me?"
Charlize, "I just want to help you."
Keanu, "What makes you think I need helping?"
Charlize, "You're in a box. I'll lift the
lid."
Keanu sarcastically replies, "Just hearing that
makes me feel healed."
I like this script - sort of a "Harold and
Maude"-lite. Very well paced, and carefully directed
except for an abrupt, sorely reworked ending scene.
Still, soft and bright like the cinematography, the
film packs a lot of heart.
Charlize is stunning, lovable and professional;
Jason Isaacs, awesome; little Liam superb; and Keanu,
simply terrible. I've heretofore defended Keanu from
the robust pool of criticism regarding his acting
abilities. But, his performance in this film is
clearly underwhelming. He delivers lines as if he'd
just awaken from deep slumber and was handed the
script even before a cup of coffee. Happily (and
somewhat amazingly), despite the blunt deficiency of
acting prowess in this effort, Keanu's resilient
charm and good looks still command while on
screen.
Done well, a crisp free and easy scene in which
Charlize romps on the beach with a clan of
beautifully groomed white show dogs. It's a wonderful
way to impress upon us the theme, "If you want to
enjoy life ... you've got to risk getting a little
sand in your fur." Also of note, a short scene in
which Keanu returns to his childhood home is accented
nicely by Tony Bennett's "The other half of me" as a
remembrance of Keanu's history with his dad. In fact,
this is just one of other well-selected musical
pieces on the soundtrack. Thirdly and fourthly, two
advertising meetings - one where Keanu introduces the
"Hot" dog ad campaign with fervor and passion, and
the other where Keanu meets with the god of
advertising. Keanu peaks in both of these masterfully
crafted scenes.
Warm and cozy dialogue, direction, and apt cast,
compensate for Keanu's acting shortcomings all the
way up to, but not including, the ending bridge
scene. The timing and pacing of which beats
completely off-sync with the rest of the picture.
Even the direction and editing lag here. Nice bridge
though.
Would have been an "A-" were Keanu to have acted,
but since he didn't, would have been a "B+" had the
ending sequence been more aptly scripted and shot.
Still I enjoyed what I enjoyed and will remember the
sparkling zest for life and the strong heart of this
picture.
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