Bursting out of a very small space, Turnstile
adjusts the last knob, tunes the last peg, then
easily takes command of the cozy venue with its sweet
vocal harmonies and tight timeless rhythmic pop
songs. Just enough crunch at the right times, the
essentially diplomatic sounds will satisfy a variety
of listeners across a variety of decades.
My bud Don invited me to hear this band, using
names such as Incubus to describe their sound. A
music lover and musician myself, I fear to say I've
all but given up on the radio as a result of advert
burn out. So, it's just me and my rapidly aging CD
collection. Consequently, I'm imperfectly up to date
on the rock/pop music scene. Still, there's a host of
older bands with which to relate the sounds of
Turnstile: The Beatles, The Knack, Squeeze, XTC. And
occasionally the un-amplified drum (small kit)
reminded me of something U2 would bang out. The two
singer/songwriters trading acoustic for lead, create
tight harmonies and rhythms with sweet careful
dynamics and a bass as low and tastefully subtle as
worn by the player.
Easily a fine show, even a forgotten capo incident
which lead to an impossiblely high pitched vocal and
restart, seemed to add to the all-in-good-fun
atmosphere, darned good music and consistent applause
from this local crowd.
Their last two songs, played all acoustic, called
up the country flavor of Billy Pilgrim and ended
perfectly on a coincidental strike of beer bottles to
ice by the hardworking bartender.
Turnstile was followed by Leila and her nearly all
keyboard band. The warm intro song backed by an
African drum gave way to more prevalent 80's techno
pop back ups. The female lead, though flattening some
lines which felt oddly foreign to the musical
texture, shows a great deal of talent when she hits
the mark (which is more often than not). Reminiscent
of Tori Amos, Tracy Chapman, even Stevie Nicks and
Natalie Merchant in vocals; perhaps Eurythmics in
keys.
Later still, half a band showed up. They displayed
solid musicianship, but with just a sax and acoustic
guitar, it was kind of like listening to David
Matthews out of the left speaker only.
Movies monopolizing my evenings out, I was amazed
how these bands spent less time playing than setting
up, with only the narrow isles crowed with beer
toting patrons to exit with their instruments and eq.
That's impressive and unfortunate at the same time.
However, I do have one PR suggestion ... each band
should have a sign with its dot com posted clearly on
the wall. Oh and kudos to the sound mixer ... bright
and punchy, but not ear-splitting.
The creative engine of "Turnstile" came to be
thanks to want ads in the LA Recycler, "I think
Aditya's ad mentioned The Beatles, Nirvana and
Radiohead. Meanwhile my ad listed Beatles, Foo
Fighters, and Radiohead -- we were both
singer/guitarists looking for a band and we had
similar tastes ...it was love at first site" says the
band's Jason Orme.
For more info: www.turnstileband.com
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