"Code of Silence" or "Honor Among Thieves" -- not
that these are very exciting alternate titles, but
then "The Yards" isn't hard to beat. Equally humdrum,
the opening act (first third) of the film which
slowly introduces the characters in the play.
Leo (Wahlberg) has just been released from prison
and embraces his ailing mother. Willy (Joaquin), his
buddy, is close with cousin (Charlize) who's
stepfather Frank (Caan) runs a big train parts
company that employs Willy and offers Leo a job as
well. Willy and Frank keep the money coming in by
"playing ball" with local officials and politicians.
Soon Leo is in over his head.
A full act is too long to wait for a compelling
moment. I must say, the film finally did "reel" me in
mid-way through and held me near to the end with some
very absorbing developments and a character or two to
root for, but then traded those attentions for a
cheap bit of melodrama. Ultimately, I left the
theater saying "so what?" Additionally, the church
organ soundtrack is somewhat disorienting.
This is obviously a product of a lot of talented
people. The acting is strong (I love this cast!), the
characters rich, the direction mighty, even some nice
cinematography ... but where is the heart? A drama
for the sake of drama? Perhaps one who appreciates a
Shakespearean plot more than myself may find this
family/power opera a bit more quenching.
|